The American Dream Disrupted: A Closer Look at 'One of the Good Ones'

Exploring the Contemporary American Dream Through ‘One of the Good Ones’

The narrative of the American Dream is evolving, and theaters across the nation are at the forefront of this dialogue. The new play 'One of the Good Ones' at the KC Rep shakes the foundational beliefs of what it means to succeed in America, particularly for immigrant families. This is a play that tackles uncomfortable truths and confronts the generational trauma that many in the U.S. have endured.

A Family's Table of Revelations

Set during a family's dinner, the show cleverly uses humor to expose the layers of identity and the often fraught dynamics within immigrant families. Yoli, a third-generation Latine American played by Isabella Campos, returns home after studying abroad, hoping to reconnect with her culturally distinct family. However, her well-meaning parents, portrayed by Gene Gabriel and Natascia Diaz, have their own struggles with identity and assimilation, leading to an intense evening filled with familial conflict and comedic absurdity.

Unpacking the Layered Comedy

'One of the Good Ones' draws audiences into a unique blend of cultural commentary and humor, sparking discussion about identity, belonging, and the definition of success. As Yoli and her boyfriend Marcos navigate the minefield of family expectations and contemporary values, they embody the tug of war between wanting to preserve cultural heritage and the desire to assimilate into mainstream American life.

The Truth Nuke Moments That Resonate

As the narrative unfolds, truth bombs are dropped at a dizzying pace that keeps the audience on its toes. From the revelation of Marcos’ true identity to the deep-seated fears of both parents, the play challenges audiences to confront preconceptions about race and identity. It takes the deeply-held beliefs about the American Dream and puts them through a rigorous examination, making attendees reflect on their own lives.

Historical Context of the American Dream

The American Dream, originally a beacon of hope and prosperity for many, has become a complex and often elusive goal for others, particularly within marginalized communities. The notion that hard work leads to success has been critiqued against a backdrop of economic disparities and systemic challenges. As seen in the referenced articles discussing plays from the 20th century, such as those by Arthur Miller and Tennessee Williams, the portrayal of the American Dream has consistently revealed underlying struggles faced by the working class.

A Broader Commentary on Class and Identity

'One of the Good Ones' aligns itself with this tradition of critically engaging the audience with the American Dream's darker implications. It dares to question if the dream is genuinely accessible to everyone, especially people of color and immigrants aiming for upward mobility. The emotional stakes in the play speak to broader societal questions: Are we all equally capable of achieving our dreams, or do barriers remain that keep certain groups from succeeding? This is not just a local concern; it’s a national dilemma, as portrayed effectively in contemporary theatre across the United States.

Engagement Opportunities Beyond the Theatre

The KC Rep’s 'One of the Good Ones' isn't just a show—it's an opportunity for local residents and businesses to engage with these pressing issues. Discussions surrounding the American Dream, identity, and cultural belonging resonate deeply within the Kansas City community. As the play rolls out its tour, local businesses and residents can reflect not just on the play's themes but on their implications for their own lives. Indeed, this is a moment for connection—between generations, cultures, and communities.

Call to Action

If these conversations interest you, have a story to share, or want to contact us for more details? Drop us an email at team@kansascitythrive.com. Let’s engage in a dialogue about what the American Dream means today, together.